Kate Charlesworth, a celebrated cartoonist and former contributor to the Guardian, and acclaimed illustrator of Sally Heathcote: Suffragette, opens the curtains of lesbian history from the 1950s to the present day, with a little help from Gilbert and Sullivan and a side of Nancy Spain.
Sensible Footwear is a glorious political and personal history that gives Pride a run for its money; but, like Pride, it wears its heart at the centre, making the invisible visible, and celebrating lesbian lives from the domestic to the diva.
Before today’s LGBTQI universe expanded from the Big Bang of Stonewall, post-war Britain was like so much of the world today, hostile towards and virtually in denial (and worse) to anything we might now call ‘queer’.
In 1950 male homosexuality carried a custodial sentence; blackmail, violence and the fear of exposure were ever-present. Female homosexuality had never been an offence in the UK (allegedly, no-one could bring themselves to explain the facts to Queen Victoria) effectively rendering the Sapphic sisterhood even more invisible than they already were – often to themselves. Most who knew they were ‘different’, or came to that realisation later on, were flying blind – unless one went to public school. Growing up in the North was a rich and colourful experience for Kate Charlesworth, but at the time it seemed anything overtly queer was thin on the ground.
Like countless other girls and women, Kate took what role models were on offer, and failing that, made them up, in the spirit of that classic old dyke joke: ‘What do lesbians use?’ ‘Their imagination…’