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When You're 29 and Unemployed...

Aneurin Wright

David Lloyd, co-creator of V for Vendetta

Inventive, extraordinary and memorable.

A tour-de-force and eight years in the making, this is a powerful, superbly drawn and deeply moving portrait of a young man coming to terms with his dying father, and with his own life, as he takes care of the old man in his final months.

When Nye’s father phones to wish him a happy birthday, and reveals he has been ‘certified for hospice’, Nye slumps down on the nearest doorstep in shock. Unemployment means that he is free to move in to the trailer park where his father lives, and assume the role of chief carer.

Their daily schedule of pill counting and medical checks unfolds into an extraordinary world where the protagonist is a minotaur, his father a rhinoceros, social workers are sea turtles and mobile homes move atop gigantic elephants.

Aneurin (Nye) Wright

was born in rural Idaho, USA, the son of a West Texan architect and a London writer. He earned a BA in English Literature from Yale and a BFA in Illustration and Communication Design from the Pratt Institute. He was the animation director for the ‘Short History of the United States’ cartoon sequence in Michael Moore’s Academy Award-winning documentary Bowling for Columbine.

He currently draws a weekly strip for the Waterstone’s Bookseller Blog called Sprout’s Bookclub. In it, the great author’s of the past travel through a wormhole in spacetime to the present to pitch themselves and their work directly to the readership of the future: a five-month-old baby girl named Sprout. Wright lives in Brighton with his wife, graphic designer Lyndsay Lucero, and Sprout, who is now one.

Times Literary Supplement (Paul Gravett)

The inventive symbolism never overwhelms the emotional honesty grounding this compelling memoir, which also contributes to the burgeoning field of “graphic medicine” by exploring in both frank and funny terms the complex impact of illness and death on a family.

Arts Journal

A work of unflinching reality and subtle beauty. The graphic novel Wright has created is beautifully illustrated and poetic in its phrasing. The ellipses are perfectly balanced with what he calls the ‘golden moments,’ the beats telling the story. With such a deft touch and the ability to soak so many complex emotions into each page, Aneurin Wright’s Things to do in a Retirement Home Trailer Park… deserves a place next to the richest memoirs as well as the most vibrant fantasies.

Broken Frontier

Things to Do is not just a poignant study of the complexities of the father-son dynamic or of coming to terms with parental mortality, it’s also an often very funny memoir. Not least because of Nye Wright’s portrayal of his father’s irascibility, his own self-deprecating wit and some choice moments of darkly humorous dialogue. Honest, inventive and resonant, this is a confident and impressive debut; a remarkable breakout work that speaks to the reader on many different levels and, even this early in 2012, one that I suspect will be on many people’s best of the year lists in just under twelve months time…

Interview with Broken Frontier's Andy Oliver

In which Nye confesses to being a Yank, and talks about Idaho potatoes, art school, and how he stopped himself going crazy...

Paul Gravett

Constantly unpredictable and compelling…A strikingly unusual and daringly inventive addition to the arena of autobiographical, reconciliatory comics by siblings about their sometimes difficult parents, and to the burgeoning field of ‘graphic medicine’ exploring in both frank and funny terms the real, complex impact of illness and death on the the whole family.

Forbidden Planet

It’s absolutely an emotive, tender, well drawn, and above all else a very personal memoir, of a son’s chance to reconnect with his dying father in their final months together.

Wright makes no attempt to disguise the autobiographical nature of this story, despite portraying himself as a huge blue minotaur and his father as a bright blue rhino, and just knowing how intensely personal this is draws you into the emotional core of the tale.

Artistically it’s impressive as hell, and his decision to use a limited colour palette adds so much, the cobalt blues, deep oranges and reds, and gray, lots of gray.

Brighton Magazine

Masterfully drawn and touchingly constructed…should see the author on the podium at award ceremonies and topping end of year ‘best of’ lists. Delving into the graphic memoir's incendiary contents only confirmed that what I now had in my possession was one of the reasons Kindle and their ilk won't put paid to the printed word.

Comics Waiting Room

This is one of the most involved and affecting portraits of how terminal illness affects both the afflicted and the survivors that I have ever seen, and Wright’s naked emotional honesty makes it work. Marvellous, succeeds because it is real.


A beautifully crafted graphic novel about a father and son who learn how to understand, accept and forgive each other, and themselves, as one life draws to a close and another begins. Drawn with compassion, sensitivity and humour, it offers an emotionally honest insight into the impact of a terminal disease on everyone affected by it.

Dead Canary Comics

This book is a truly powerful undertaking. I was actually stunned reading this, not just by the artwork but also stunned in a way that caused me to lose my breath, find something to hold onto and weep uncontrollably...It manages to convey the plodding daily routines of care, the powerful emotional struggles of family, the joy of creativity and the crippling pain of loss in such exquisite detail you can literally feel every day of the 10 years this book took to make...Part of the reason it’s so impressive is the sublime artwork and colour palette, which lends itself to the narrative as the story unfolds. It looks incredible and being such a tome you have ample room on each page to drink in every line, every image and every vivid shade of red, black and blue. A masterful piece of work.

Comics Anonymous

We switch from poignant reality check through to some amazingly funny moments and it’s this mix of other-worldly characters and reality that make this book all the more engaging. What’s a key part to Nye’s story-telling is his imagery and strong metaphors for life and his bold use of colours. A limited pallet of a few colours seem to glow on the page and have almost captured the life in the characters on show. This is a real gem of a book…

Daves Comics blogspot

Swoon now!

World Famous Comics

Wright is an amazing talent.


His work is stunning.

BBC Radio Sussex interview Pt 1

First part of an interview on the Danny Pike show

BBC Radio Sussex interview Pt 2

Second part of an interview on the Danny Pike show

Interview on RTE Radio One Arena

Excellent ten-minute interview with Nye Wright

£19.99 pbk 978-1-908434-09-8
£24.99 hbk 978-1-908434-10-4
Published: 16 February 2012

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Waterstones Top 10 Graphic Novels

Trailer Park has been selected as a recommended read for new-comers to the comics genre by Waterstones guest blogger Cara Fielder.

Guardian Professional

'I wish I could say that my decision...came from a deep well of saintly altruism.'

Read Nye's article for the Guardian Professional in full.

The Metro

'It was a watershed experience in my life.'

Read Nye Wright's interview in The Metro in which he discusses caring for his father.

The Argus

Mixing fantasy with the unflinching reality of living with a dying relative.

Read The Argus' profile of Nye Wright here

Comics Anonymous

The Comics Anon. crew “were fortunate enough to pick the brains of writer Nye Wright and find out his inspirations and approach to storytelling” here

We Love This Book

Read Nye Wright's thoughts on the graphic memoir form, with recommended reading. here

Carer's Week

'Caring for my father was the hardest thing I've ever done...'

Nye's insightful interview with national charity partnership Carer's Week, can be read here

Graphic Medicine at Work

Listen to this podcast of Nye Wright's talk on the panel ‘Graphic Medicine at Work’, presented by Dr. Sue Eckstein as part of the Ethics in Performance series at Brighton and Sussex Medical School on 27 April 2012.